Apologies to everyone for the gap in blog posts but I've just come back from two weeks in beautiful Crete. Before that, I was desperately trying to get as much of novel two written to send off to the New Writers' Scheme for a critique. In the end, I managed just under forty-seven thousand words and added a detailed outline of the second half of the book
The basic idea for Whispering Olive Trees started as a short story. It was shorted listed for a competition and then published as Whispers in the Olive Trees on Alfie Dog Fiction. Like my first novel, A Mother's Secret, it's a dual narrative - one story set in 1977 in the Peloponnese, Southern Greece, and the other in 1999 in both rural mid-Wales and Greece. The fictional island of Péfka is very loosely based on the island of Spetses where my aunt and Greek uncle had a home and where we visited them a number of times.
Bouganvillea blooms everywhere in vibrant pinks, along with oleanders and scarlet hibiscus and these are all mentioned in the novel.
This is how I imagine the view from Péfka over to the mainland and the fictional town of Porto Nikos. No cars are allowed on the island and it is across this strait of water that my characters travel by water taxi to the port where they arrived by hydrofoil, The Flying Dolphin.
Having visual images of the places in my novel and experiencing real Greece will, I hope, help me when it comes to the editing stage. The sights, sounds, smells and tastes I have encountered on holiday will make the setting all the more real - well, that's what I hope anyway.
Thank you for reading. How do you make your settings authentic? Does it help you if you have a collection of photographs and images?
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